Jane Eyre by Charlotte Bronte Essay Example | Topics and Well Written Essays - 750 words

Jane Eyre by Charlotte Bronte - Essay Example he sense of self worth of Jane Eyre is challenged right from the start of the novel, and yet she indeed manages to come out as a person having an intact and solid sense of self esteem and dignity. Being an orphan, Jane Eyre is continually marred by feelings of ostracism and insufficiency, as she is cruelly targeted and emotionally mauled by her aunt Reed and her not so sensitive progeny. At a very nascent stage in her life, Jane Eyre is made to contend with a domestic environment that continually conveys to her that she is deficient and unacceptable. Yet, irrespective of her constrained upbringing, Jane Eyre does manage to grow out of these emotionally impinging influences. During her stay at the stifling environs of Lowood, the endurance of Jane Eyre is tested to the extreme. Yet, she manages to tide over the regular abuse at this place, to garner as much learning and dignity, as comes her way. She simply refuses to give in to the daily abuse and ill will shown by Mr. Brocklehurst. Again while mentoring a restless pupil, like Adele, Jane Eyre shows a marked capacity to maintain self worth in the face of difficult situations. The other amazing thing about the moral makeup of Jane Eyre is that she carries a wisdom that dares to question the established and conventional social and ethical norms. In other words, the moral sense of Jane Eyre soars much above social compliance and a public sense of face. Right from the beginning, Jane Eyre shows a moral capacity to resist the societal and environmental influences that try to stifle the true expression of her conscience. This includes the abusive tendencies of her aunt, cousins and Mr. Brocklehurst. She is possessed with a capacity for reasoning that manages to find her way out through tough times. By deciding to give in to the overtures of Rochester she shows a capacity to challenge and act against the set norms of class and gender. She simply opposes the society’s decision to push her back to an inferior social

Edna’s Self Discovery in Chopin’s The Awakening :: Chopin Awakening

Edna’s Self Discovery in Chopin’s The Awakening She was fond of her children in an uneven, impulsive way. She would sometimes gather them passionately to her heart; she would sometimes forget them. The year before they had spent part of the summer with their grandmother Pontellier in Iberville. Feeling secure regarding their happiness and welfare, she did not miss them except with an occasional intense longing. Their absence was a sort of relief, though she did not admit this, even to herself. It seemed to free her of a responsibility which she had blindly assumed and for which fate had not fitted her. (p. 40) Edna Pontellier is a child discovering her very sense of self. Her attitude toward her own children emphasizes the she is not the typical â€Å"mother-woman† (p. 29). This is one of the key elements in identifying Edna’s â€Å"awakening.† Unlike the other women, such as Madame Ratignolle, she has not accepted her role unquestionably. This passage is an insightful window into the beginnings of Edna’s new thoughts. Edna considers herself â€Å"fond of her children.† This statement alone is strange. Most mothers are enamored of their children, obsessed with their every movement. Even her fondness is considered â€Å"uneven† and â€Å"impulsive.† Edna, beginning to feel as a child herself, is noticing these traits within her. Edna speaks of the summer they spent away â€Å"with their grandmother...in Iberville.† Even in their extended absence she missed them only with â€Å"an occasional intense longing,† perhaps as someone might miss a city, or an old tattered stuffed toy. She seemed to feel towards them more as family, loved and missed, but not intensely as a mother would. Most striking in this passage are the last two sentences. It is in these phrases that Edna begins to demonstrate something important about herself. She feels â€Å"relief† when the children are gone. She feels â€Å"free† of the â€Å"responsibility.† One â€Å"which she had blindly assumed.† Edna had simply accepted the role of motherhood. It was expected, and so she had asked no questions. She is now realizing, however, that she feels this is a position in life â€Å"for which fate had not fitted her.

Music Censorship Essay

First , I want to talk about what decides if music should be censored and this includes parents and corporations. The parents started to listen to their childrens music and listened to the lyrics of the songs. Some of the parents liked the lyrics and music that their children listened to, while others did not. The parents that did not like the lyrics of the songs their children listened to decided to create a group the Parents Music Resource Center, or the PMRC for short. The PMRC was established by parents to regulate music censorship in 1984 and stated that their goal was to increase parental control over the access of access of children to music deemed to be violent, have drug use or be sexual via labeling albums with Parental Advisory stickers (http://en.wikipedia.org/wiki/Parents_Music_Resource_Center). The corporations were effected by the parents influences majorly. The conflicted parents demanded that the record companies put labels on their products, so their children would not be introduced to this vulgarity. The record companies and the parents fought back and forth until the parents involved legislators which stopped the record companies in their place. This was a revolution in music history and changed the music industry forever. Next, I want to talk about who regulates the censorship of music and this includes the PMRC and the Recording Industry Association of America, or the RIAA for short. The Parents Music Resource Center put heavy pressure on the RIAA with senate hearings to get them to put the Parental Advisory label, so that other parents would know what vulgarity was in the products. By doing so, the parents enforced the â€Å"Parental Advisory- Explicit Lyrics† warning label to be used by the Recording Industry Association of America on their products that was not suitable for children. The RIAA regulated the censorship of music before the PMRC started, but the did not give any kind of standards, criteria or guidelines for determining which albums should be labeled and which albums should not be labeled. Not only did the PMRC get onto the RIAA about their labels, but also many organizations were dissatisfied with the RIAA’s labels and have demanded more limits on the sale of music containing controversial lyrics (http://www.nku.edu/~issues/music_censorship/laws.htm). Through the efforts of many organizations, mainly the PMRC, stricter labels were used for albums with explicit lyrics. Then, I want to talk about what is politically correct in music, and it is either politically correct or it is not politically correct. If a song is politically correct it will be good for profit so most record companies and artiest try to direct the lyrics in the their songs as leaning toward politically correct lyrics. They’re can be a problem with politically correct songs though, sometimes when you have politically correct songs then it does not display an artists full emotion, and it can be distracting to make sure that their songs are politically correct. When you have politically incorrect songs then it, very often, offends the listeners or a group of people that the song is directed toward. Not only do you offend the listeners with politically incorrect songs, but also the listeners will stop listening which decreases sales and profit. Being politically correct is more profitable, but doesn’t allow full expression and politically incorrect songs take away from p rofit and decrease listeners.

The Dynamic And Revolutionary Changes Of The 21st Century

The constant dynamic and revolutionary changes of the 21st century (belch belch 2015) has been creating countless impacts on the diverse realms of our lives, directly or indirectly affecting the associated business worlds also, due to which, different business kingdoms are swelling up their products and services to earn the steady patronage of consumers and are applying various media tactics to instigate them to choose their inventions over their competitors. It has become a battleground, where every brand wants to create campaigns with neck-to-neck fight to their competitors to outshine in order to survive this ever-evolving world. The above situation is evident in the Australian Telco industry also. This industry is ruled by†¦show more content†¦With the marketing objective to increase footfall during the summer period (Nov–Dec) by 5%, Virgin Mobile planned to create a campaign that is more centric approach instead of a social approach. They created a media strategy of using their mobile app as the core of their campaign and crafted a mobile battleground where Australia could fight for the Virgin rewards, Telco glory and receive real Virgin rewards with the every paid, owned earned touch points to perpetuate the gameplay and keep the warriors engaged in the battle. Figure 1: The screenshot of Virgin Mobile Australia: Game of Phones App. This media plan established on the common insight of their intended target market of mobile mad millennial, who uses mobile phones as their remote control to play life gaming for an average of 8-11 hours per week. Just as the purchase decision making of the marketing strategy initiates with the needs and wants of the consumers (belch belch 2015), similarly the media strategy also requires the insights of consumers for the use of specific media to fulfill their gratification. The selection of the particular target market can be analyzed based on the Uses and Gratification theory by Blumler and Kats (1974), which suggests that audiences are actively responsible to choose their own media, based on the interpretation of their needs and integrate it with the media to fulfill their specific